References
Chapter I: The Body
1.Life Sciences, Society and Policy, “The body as constitutive element phenomenology and psychoanalysis on our view of ourselves and others”, 2017. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5406322/
4.Caterina Di Fazio, “The free body -Notes on Maurice Merleau-Ponty’s phenomenology of movement”
5.Yohji Yamamoto Quotes https://www.azquotes.com/author/29493-Yohji_Yamamoto
6.Ibid.
7.Maurice Merleau-Ponty, The Primacy of Perception, ed. James M. Edie, trans. Carleton Dallery, Evanston: Northwestern University Press, 1964. Revised by Michael Smith in The Merleau-Ponty Aesthetics Reader, Galen A. Johnson, ed., Evanston: Northwestern Univ. Press, 1993.
8.Edited by Caroline A.Jones, Michael Bull, “Sensorium: embodied experience,technology and comtemporar art”, 2006
9.Ibid.
10.Maurice Merleau-Ponty, The Primacy of Perception, ed. James M. Edie, trans. Carleton Dallery, Evanston: Northwestern University Press, 1964. Revised by Michael Smith in The Merleau-Ponty Aesthetics Reader, Galen A. Johnson, ed., Evanston:Northwestern Univ. Press, 1993.]
11.Mirror-touch synaesthesia:Mirror-touch synesthesia is a rare condition which causes individuals to experience a similar sensation in the same part of the body (such as touch) that another person feels. For example, if someone with this condition were to observe someone touching their cheek, they would feel the same sensation on their own cheek. Synesthesia, in general, is described as a condition in which a stimulus causes an individual to experience an additional sensation. https://en.wikipedia.org/wiki/Mirror-touch_synesthesia
12.Daria Martin, “Mirror-Touch Synaesthesia- Thresholds of Empathy with Art”, 2018
13.Ibid.
14.Yevgeniya Traps, “Romance of the Rose: On Jay DeFeo”, 14,05,2013. https://www.theparisreview.org/blog/2013/05/14/romance-of-the-rose-on-jay-defeo/
15.Ibid.,
16.The Stanford Encyclopedia of Philosophy,” BodilyAwareness”,First published Tue Aug 9, 2011; substantive revision Wed Oct 7, 2015.https://plato.stanford.edu/entries/bodily-awareness/
17.Ibid.,
18.Lauren Constantini,” Wearable Tech Expands Human Potential”, TEDxMileHigh https://www.youtube.com/watch?v=FESv2CgyJag
19.The Stanford Encyclopedia of Philosophy,” BodilyAwareness”,First published Tue Aug 9, 2011; substantive revision Wed Oct 7, 2015.https://plato.stanford.edu/entries/bodily-awareness/
20.Ibid.,
21.Edited by Caroline A.Jones, Zeynep Celik, “Kinaesthesia, Sensorium : embodied experience, technology and contemporary art “, 2006
22.Edited by Caroline A.Jones, Jane Farver, ”Bruce Nauman,Sensorium : embodied experience, technology and contemporary art”, 2006
25.The Stanford Encyclopedia of Philosophy, “Maurice Merleau-Ponty”,First published Wed Sep 14, 2016. https://plato.stanford.edu/entries/merleau-ponty/#PhenPerc
26.Ibid.,
27.Marco Cesario,”The primacy of perception in the era of communication”,8.09.2008. https://www.resetdoc.org/story/the-primacy-of-perception-in-the-era-of-communication/
28.Alexander Refsum Jensenius , “Some Video Abstraction Techniques for Displaying Body Movement in Analysis and Performance”,02.2013
29.“Chronophotograph,1894. Etienne-Jules Marey French” https://www.metmuseum.org/art/collection/search/265094
30.“Eadweard Muybridge: Animal Locomotion”, 2017
https://huxleyparlour.com/exhibitions/eadweard-muybridge/
31.Chronophotography, is a photographic technique that captures multiple phases of movements. The best known chronophotraphy works were mostly intended for the scientific study of locomotion, to discover practical information for animal handlers and/or as reference material for artists.
https://en.wikipedia.org/wiki/Chronophotography
32.Étienne-Jules Marey,https://www.magzter.com/article/Lifestyle/Better-Photography/tienne-Jules-Marey
33.Alexander Refsum Jensenius, “Some Video Abstraction Techniques for Displaying Body Movement in Analysis and Performance”,02.2013
Chapter II: Man as Machine; Machine as Man
1.Wikipedia, “Fritiz Kahn”. https://en.wikipedia.org/wiki/Fritz_Kahn
2.Rebecca Horn, Quotes, https://www.theartstory.org/artist/horn-rebecca/
3.Wikipedia, “Uncanny Valley”. https://en.wikipedia.org/wiki/Uncanny_valley
4.Wikipedia, “Maurice Merleau-Ponty”, https://en.wikipedia.org/wiki/Maurice_Merleau-Ponty
5.Maurice Merleau-Ponty, The Primacy of Perception, ed. James M. Edie, trans. Carleton Dallery, Evanston: Northwestern University Press, 1964. Revised by Michael Smith in The Merleau-Ponty Aesthetics Reader, Galen A. Johnson, ed., Evanston: Northwestern Univ. Press, 1993.
6.Rebecca Horn, Quotes, https://www.azquotes.com/author/67979-Rebecca_Horn
7.Rebecca Horn, Quotes,https://www.theartstory.org/artist/horn-rebecca/
Chapter I: The Body
1.Life Sciences, Society and Policy, “The body as constitutive element phenomenology and psychoanalysis on our view of ourselves and others”, 2017. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5406322/
2.Sherri Irvin, “Body Aesthetics”, 2016. https://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780198716778.001.0001/acprof-9780198716778
3.Wikipedia, “Body Cultural Studies” https://en.wikipedia.org/wiki/Body_culture_studies
4.Caterina Di Fazio, “The free body -Notes on Maurice Merleau-Ponty’s phenomenology of movement”
5.Yohji Yamamoto Quotes https://www.azquotes.com/author/29493-Yohji_Yamamoto
6.Ibid.
7.Maurice Merleau-Ponty, The Primacy of Perception, ed. James M. Edie, trans. Carleton Dallery, Evanston: Northwestern University Press, 1964. Revised by Michael Smith in The Merleau-Ponty Aesthetics Reader, Galen A. Johnson, ed., Evanston: Northwestern Univ. Press, 1993.
8.Edited by Caroline A.Jones, Michael Bull, “Sensorium: embodied experience,technology and comtemporar art”, 2006
9.Ibid.
10.Maurice Merleau-Ponty, The Primacy of Perception, ed. James M. Edie, trans. Carleton Dallery, Evanston: Northwestern University Press, 1964. Revised by Michael Smith in The Merleau-Ponty Aesthetics Reader, Galen A. Johnson, ed., Evanston:Northwestern Univ. Press, 1993.]
11.Mirror-touch synaesthesia:Mirror-touch synesthesia is a rare condition which causes individuals to experience a similar sensation in the same part of the body (such as touch) that another person feels. For example, if someone with this condition were to observe someone touching their cheek, they would feel the same sensation on their own cheek. Synesthesia, in general, is described as a condition in which a stimulus causes an individual to experience an additional sensation. https://en.wikipedia.org/wiki/Mirror-touch_synesthesia
12.Daria Martin, “Mirror-Touch Synaesthesia- Thresholds of Empathy with Art”, 2018
13.Ibid.
14.Yevgeniya Traps, “Romance of the Rose: On Jay DeFeo”, 14,05,2013. https://www.theparisreview.org/blog/2013/05/14/romance-of-the-rose-on-jay-defeo/
15.Ibid.,
16.The Stanford Encyclopedia of Philosophy,” BodilyAwareness”,First published Tue Aug 9, 2011; substantive revision Wed Oct 7, 2015.https://plato.stanford.edu/entries/bodily-awareness/
17.Ibid.,
18.Lauren Constantini,” Wearable Tech Expands Human Potential”, TEDxMileHigh https://www.youtube.com/watch?v=FESv2CgyJag
19.The Stanford Encyclopedia of Philosophy,” BodilyAwareness”,First published Tue Aug 9, 2011; substantive revision Wed Oct 7, 2015.https://plato.stanford.edu/entries/bodily-awareness/
20.Ibid.,
21.Edited by Caroline A.Jones, Zeynep Celik, “Kinaesthesia, Sensorium : embodied experience, technology and contemporary art “, 2006
22.Edited by Caroline A.Jones, Jane Farver, ”Bruce Nauman,Sensorium : embodied experience, technology and contemporary art”, 2006
23.Wikipedia, “Body Schema”. https://en.wikipedia.org/wiki/Body_schema
24.Marco Cesario,”The primacy of perception in the era of communication”,8.09.2008. https://www.resetdoc.org/story/the-primacy-of-perception-in-the-era-of-communication/
25.The Stanford Encyclopedia of Philosophy, “Maurice Merleau-Ponty”,First published Wed Sep 14, 2016. https://plato.stanford.edu/entries/merleau-ponty/#PhenPerc
26.Ibid.,
27.Marco Cesario,”The primacy of perception in the era of communication”,8.09.2008. https://www.resetdoc.org/story/the-primacy-of-perception-in-the-era-of-communication/
28.Alexander Refsum Jensenius , “Some Video Abstraction Techniques for Displaying Body Movement in Analysis and Performance”,02.2013
29.“Chronophotograph,1894. Etienne-Jules Marey French” https://www.metmuseum.org/art/collection/search/265094
30.“Eadweard Muybridge: Animal Locomotion”, 2017
https://huxleyparlour.com/exhibitions/eadweard-muybridge/
31.Chronophotography, is a photographic technique that captures multiple phases of movements. The best known chronophotraphy works were mostly intended for the scientific study of locomotion, to discover practical information for animal handlers and/or as reference material for artists.
https://en.wikipedia.org/wiki/Chronophotography
32.Étienne-Jules Marey,https://www.magzter.com/article/Lifestyle/Better-Photography/tienne-Jules-Marey
33.Alexander Refsum Jensenius, “Some Video Abstraction Techniques for Displaying Body Movement in Analysis and Performance”,02.2013
Chapter II: Man as Machine; Machine as Man
1.Wikipedia, “Fritiz Kahn”. https://en.wikipedia.org/wiki/Fritz_Kahn
2.Rebecca Horn, Quotes, https://www.theartstory.org/artist/horn-rebecca/
3.Wikipedia, “Uncanny Valley”. https://en.wikipedia.org/wiki/Uncanny_valley
4.Wikipedia, “Maurice Merleau-Ponty”, https://en.wikipedia.org/wiki/Maurice_Merleau-Ponty
5.Maurice Merleau-Ponty, The Primacy of Perception, ed. James M. Edie, trans. Carleton Dallery, Evanston: Northwestern University Press, 1964. Revised by Michael Smith in The Merleau-Ponty Aesthetics Reader, Galen A. Johnson, ed., Evanston: Northwestern Univ. Press, 1993.
6.Rebecca Horn, Quotes, https://www.azquotes.com/author/67979-Rebecca_Horn
7.Rebecca Horn, Quotes,https://www.theartstory.org/artist/horn-rebecca/